A Survey of Victor's Generic Covers, Part 2

In the last post I showed examples of the initial group of generic covers used for Red Seal album sets, all of them unveiled at the time when the brand name of the label was still officially just "Victor."  In the spring of 1946, "RCA" was added to the head of the brand name, making it "RCA Victor."  (The last Victor 12-inch Red Seal record I have seen with a "Victor-only" label is 11-9155, "The Bells of St. Mary's" and "The Lord's Prayer," by the Victor Chorale under Robert Shaw.  11-9156 is the first record of M-1050, the Bach Brandenburg Concertos Nos. 3 and 4 by the Boston Symphony under Koussevitzky, an issue of May 1946.) Sometime thereafter, four new generic cover designs were unveiled, using the new brand name in a box, with a full-color representation of Nipper in another box to the right.  Two of these were signed by Frank Decker:

The following design is unsigned, though it looks like another Frank Decker to me:

And the last of these new covers was signed "stahlhut."  This is almost certainly Henry Stahlhut, who also designed covers for magazines like Gourmet and Fortune:

All of these designs, and the ones in the previous post, continued to be used by RCA Victor on 45-rpm sets and even on a few early LPs.