Bach: Orchestral Suite No. 3 (Boult)

Adrian Boult, 1933

An orchestral suite by Bach is hardly repertoire that one would associate with the great British conductor Sir Adrian Boult (1889-1983), but this recording, one of Boult's earliest with the BBC Symphony Orchestra (which he helped to found in 1930), is noteworthy for two reasons, both concerning the opening slow section of the Ouverture.  First, to my knowledge it's the only recording of a Bach orchestral suite made during the 78-rpm era to observe the repeat of the opening section.  Second, it's the earliest recording in which the "modern" practice of synchronizing the dotted rhythms (so that, for example, when eighth notes and sixteenth notes occur simultaneously in different parts, the rhythm adopted is that of the sixteenths) is heard.  Boult must have received coaching in this from Arnold Dolmetsch, for who else in England at that time would have known about it?  This practice became almost universal for Baroque music in the 1960s (and indeed there was a backlash against it starting in the 1980s, led by the American musicologist Frederick Neumann, and put into practice by Reinhard Goebel and his wonderful ensemble "Musica Antiqua Köln"), but it's rather startling to hear it in a 1933 recording.  Indeed the performance is very stylish and modern-sounding, and only the absence of any continuo instrument reminds one that it dates from eighty years ago:

Bach: Orchestral Suite No. 3 in D Major, BWV 1068

and

Prelude from the Violin Partita, BWV 1006 (arr. Pick-Mangiagalli)

BBC Symphony Orchestra conducted by Adrian Boult

Recorded May 22-23, 1933

HMV DB 1963 through DB 1965, three 78-rpm records

Link (FLAC files, 69.15 MB)

Link (MP3 files, 37.99 MB)