Goldmark: Rustic Wedding Symphony (Howard Barlow)

Karl Goldmark

Shortly after I started this blog, seven years ago, I posted this recording of Howard Barlow conducting Gordon Jacob's orchestration of Vaughan Williams' "English Folk Song Suite". In the comments section of that post, there was a request for Barlow's recording of Karl Goldmark's delightful "Rustic Wedding" Symphony, which I did not possess at the time. Well, now I do, and here it is:

Goldmark: Rustic Wedding Symphony, Op. 26
Howard Barlow conducting the Columbia Broadcasting Symphony
Recorded June 19, 1939
Columbia Masterworks set MM-385, five 78-rpm records
Link (FLAC files, 92.83 MB)
Link (MP3 files, 69.18 MB)

This was only the second recording of the work - the first had been made 10 years earlier, by the Vienna Philharmonic under Robert Heger, issued in the USA by Victor but deleted shortly after this fine account by Barlow appeared.

The request for this recording was from Fred, of the excellent blog "Random Classics" which, unfortunately, he felt obliged to suspend four years ago. Fred, wherever you are, I hope you are able to enjoy this recording, seven years late...

MacDowell: "Indian" Suite (Howard Barlow)

Cover image restored by Peter Joelson

This week, an album by that indefatigable purveyor of unusual and little-known music on record, Howard Barlow (1892-1972), who, with his Columbia Broadcasting Symphony, was responsible for a number of recorded premières, including this one.  Actually, four-fifths of one, because another Howard - Hanson - beat Barlow to the punch by four days in recording the fourth of the five movements of this MacDowell Suite (the "Dirge") as part of his first Victor album of American music, which didn't actually hit the stores until after the present recording did:

MacDowell: Suite No. 2 in E minor, Op. 48 ("Indian")
Columbia Broadcasting Symphony conducted by Howard Barlow
Recorded May 15, 1939
Columbia Masterworks set M-373, four 78-rpm records
Link (FLAC files, 78.16 MB)
Link (MP3 files, 62.05 MB)

The simple but appealing cover design shown above is original to the set, which is a nice early pressing.  I'm pretty sure it predates Alex Steinweiss' design work for Columbia, and there were a few other sets from the same time period (middle to late 1939) that featured a composer's silhouette, as this one does.  Later copies of this MacDowell set that I've seen use an ordinary generic cover.

Through Deems' Looking Glass

If people today remember Deems Taylor (1885-1966) at all, it is as the master of ceremonies for the groundbreaking Disney motion picture "Fantasia" (1940), a role parodied by Elmer Fudd in the Warner Brothers cartoon "A Corny Concerto" (pictured above).  Here is what he really looked like (pictured in 1930 with his four-year-old daughter, Joan Kennedy Taylor, while working on his opera "Peter Ibbeston"):

Even in his lifetime, Deems Taylor's work as an advocate for classical music in various roles (broadcaster, journalist) overshadowed his composing.  He served as intermission commentator for the New York Philharmonic radio broadcasts, was music critic for the New York World, and was a best-selling author - "Of Men and Music" and "The Well-Tempered Listener" are written versions of his radio talks and remain witty and entertaining today.  Yet his work as a composer is not without merit.  Judge for yourself: I present the first recording of his Suite, "Through the Looking Glass," based, of course, on Lewis Carroll's immortal "Alice" books.  This delightful work was once quite popular, but has disappeared from the repertory; there is no recording currently available on CD, which is a great pity.  The second movement in particular ("Jabberwocky") is as fine a piece of tone-painting as I know.

Deems Taylor: Through the Looking Glass - Suite, Op. 12
Columbia Broadcasting Symphony conducted by Howard Barlow
Recorded November 9, 1938, under the supervision of the composer
Columbia Masterworks Set MM-350, four 78-rpm records
Link (FLAC files, 67.58 MB)
Link (MP3 files, 35.69 MB)

This was the first recording by Howard Barlow and the Columbia Broadcasting Symphony; there would be quite a few more over the next two years before Columbia signed up major orchestras like the New York Philharmonic, the Cleveland Orchestra and the Chicago Symphony.  Among these was the recording of the Vaughan Williams English Folk Song Suite which I uploaded last October.  This is still available at the previous post here.

Howard Barlow conducts Vaughan Williams

Here's a delightful recording conducted by the all-but-forgotten Howard Barlow (1892-1972), a broadcasting pioneer and champion of unusual repertoire (you can find a nice appreciation of his legacy here).  This is of Gordon Jacob's orchestration of Vaughan Williams' military band classic, the English Folk Song Suite (1923).  In 1940, when this recording was issued, this may well have seemed unusual repertoire, and indeed it appears to be the first (and, in the 78-rpm era, only) recording of the 1924 Jacob orchestration, which has since become standard.

Of course, for me, a good excuse to listen to any Barlow-Columbia Symphony recording is to hear the beautiful oboe playing of Mitch Miller, and here he doesn't disappoint - just listen to that oboe solo at the beginning of the second movement!

This recording was also issued, naturally enough, in England, and was reviewed in the September 1940 issue of The Gramophone.  The recording was still listed in the 1954-55 UK Columbia Catalogue, though it was slated for deletion with that issue.

Vaughan Williams (arr. Jacob): English Folk Song Suite
Columbia Broadcasting Symphony, conducted by Howard Barlow
Recorded December 19, 1939
Columbia Masterworks set X-159, two 10-inch 78-rpm records
Link (FLAC file, 29.41 MB)
Link (MP3 file, 15.45 MB)

Mitch Miller plays Handel

 

For this debut entry in my new blog, I wish to pay tribute to Mitch Miller, who passed away on Saturday, July 31, 2010, aged 99.  For Americans over a certain age he will always be associated with his series of "Sing Along With Mitch" LPs (and the television show which these inspired, which ran from 1961 to 1966).  One of my very first records, received with my very first record player (at Christmas 1965), was a 6-eyes Columbia LP of "Still More Sing Along with Mitch" which I am listening to in this photo:

 

Long before his career as a sing-along leader, however, Mitchell Miller (as he was billed on his classical recordings) was well-known for his fine oboe and English horn playing.  No less a conductor than Leopold Stokowski admired his playing, and when Stokowski conducted a recording of Dvorak's "New World" Symphony in 1947, he hired Mitch to play the famous English horn solo in the second movement, and insisted that Mitch be credited on the label, at a time when such credits were rarely given.  From 1935 to 1947 he was oboist in the Columbia Broadcasting Symphony Orchestra, who accompanies him on the first of two Handel recordings below:

Handel: Oboe Concerto No. 3 in G minor

Mitch Miller and the Columbia Broadcasting Symphony under Howard Barlow

Recorded June 19, 1939

Columbia 69660-D, one 78-rpm record

Link (FLAC file, 16.3 MB)

Link (MP3 file, 8.34 MB)

Handel: Oboe Sonata in G minor, Op. 1, No. 6

Mitch Miller, oboe; Yella Pessl, harpsichord

Recorded August 4, 1938 (information courtesy of Don Tait)

Victor 15378, one 78-rpm record

Link (FLAC file, 15.51 MB)

Link (MP3 file, 7.28 MB)

Both of these recordings have been transferred from my own 78-rpm shellac records (although, in the case of the Sonata, from a cassette copy, as I no longer own the record).