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Cover design by Thomas Upshur |
Shostakovich's Thirteenth Symphony, based on five poems by Yevgeny Yevtushenko, is one of the Russian master's most powerful works, and represents the closest he ever came to outright public dissent against the Soviet government. So close was it to the composer's heart that he celebrated the date of its completion, July 20, 1962, as an anniversary for the rest of his life; only the date of the première of his First Symphony enjoyed a similar honor. The Soviet authorities, naturally, did their best to suppress the Thirteenth Symphony, banning it after two performances. An unofficial recording of the second of these performances, conducted by Kiril Kondrashin, somehow turned up on Everest in 1967, in terrible sonics made worse by their unfortunate application of fake stereo. This recording by Ormandy was the first professionally made one, done in the wake of the Western première, from a score that had to be smuggled out of the USSR:
Shostakovich: Symphony No. 13, Op. 113 ("Babi Yar")
Philadelphia Orchestra conducted by Eugene Ormandy
with Tom Krause, baritone, and the Male Chorus of the Mendelssohn Club
Recorded January 21 and 23, 1970
RCA Red Seal LSC-3162, one stereo LP record
Link (FLAC files, 293.23 MB)
Link (MP3 files, 113.5 MB)
I'm very fond of this recording; I got to know the work through it some thirty-seven years ago from, believe it or not, an 8-track tape! Ormandy went on to make early recordings of Shostakovich's last two symphonies; I also had the Fifteenth as an 8-track.
Links for my previous posts are now restored going as far back as April, 2011, and I hope to have everything back up and running within the week.