Showing posts with label Christiansen. Show all posts
Showing posts with label Christiansen. Show all posts

Wednesday, April 19, 2017

The Danish Quartet

Gilbert Jespersen                  Erling Bloch                 Lund Christiansen
More Danish gems this time, played by an ensemble founded in 1935 by the three gentlemen pictured above plus one other - cellist Torben Svendsen, whose picture, regrettably, I cannot find. I present three recordings from the late 1930s, one by the full ensemble (flute, violin, cello, piano), and the others featuring two of the possible trio combinations within it:

Bach: Trio Sonata in C Minor (from "The Musical Offering", BWV 1079)
The Danish Quartet (Jespersen-Bloch-Svendsen-Christiansen)
Recorded November 22, 1937
HMV DB 5215 and DB 5216, two 78-rpm records
Link (FLAC file, 44.85 MB)
Link (MP3 file, 24.88 MB)

Kuhlau: Trio in G Major, Op. 119 - Allegro moderato (first movement)
Members of the Danish Quartet (Jespersen-Bloch-Christiansen)
Recorded November 21, 1938
HMV DB 5226, one 78-rpm record
Link (FLAC file, 20.16 MB)
Link (MP3 file, 11.83 MB)

Beethoven: Variations on "Ich bin der Schneider Kakadu", Op. 121a
Members of the Danish Quartet (Bloch-Svendsen-Christiansen)
Recorded January 16 and 21, 1939
HMV DB 5229 and DB 5230, two 78-rpm records
Link (FLAC file, 40.31 MB)
Link (MP3 file, 26.74 MB)

The trio movement by Friedrich Kuhlau (1786-1832) is complete as issued; its composer was German-born but fled to Denmark as a young man to escape having to fight in the Napoleonic wars. During his lifetime he was famous as a pianist and composer of Danish operas, but he is best remembered now for his piano sonatinas and his works featuring the flute.

Friday, June 5, 2015

Happy 150th, Carl Nielsen!

This year marks the 150th birth anniversaries of two giants of Scandinavian music - Jean Sibelius and Carl Nielsen. Sibelius' anniversary won't be for another six months, but Nielsen's is this Tuesday, June 9, and so I present two early recordings of his music - one of them, as far as I can determine, the very first recording of a large-scale work by Nielsen, a youthful violin sonata as played by his son-in-law Emil Telmányi:

Nielsen: Violin Sonata No. 1 in A Major, Op. 9
Emil Telmányi, violin, and Christian Christiansen, piano
Recorded October 13, 1935
HMV DB 2732 through DB 2734, three 78-rpm records
Link (FLAC files, 59.79 MB)
Link (MP3 files, 35.36 MB)

The other offering is a mature piano work in a recording from late in the 78-rpm era:

Nielsen: Theme and Variations, Op. 40
Arne Skjold Rasmussen, piano
Recorded January 17, 1952
Tono A-177 and A-178, two 78-rpm records
Link (FLAC file, 33.85 MB)
Link (MP3 file, 24.70 MB)

Apropos of Sibelius and Nielsen, the two appear to have been friends. And the Finn admired the Dane's music greatly; the story goes that Sibelius, perhaps embarrassed by the obvious disparity in their worldly success, generously told or wrote to Nielsen (sources seem to differ which), "I don't even reach as high as your ankles!"

Friday, May 2, 2014

Nielsen: Violin Sonata No. 2 (Erling Bloch)

Erling Bloch
Some weeks ago, when I offered the Erling Bloch Quartet in Nielsen's Third Quartet, there was a request for this 1938 recording by Erling Bloch - I believe the only one he made of a Nielsen sonata - as it was bypassed in favor of Emil Telmányi's 1954 recording of the same work in Danacord's series of Nielsen reissues on CD.  I don't have that set, but I do have Danacord's LP set from 1984 called "Carl Nielsen: The Premier Chamber Recordings" - which does have this recording, as well as that of the Quartet, but the transfers are so inept that I was moved to seek out the 78s in the belief that I could do better!  So here's my go at the Sonata:

Nielsen: Violin Sonata No. 2, Op. 35
Erling Bloch, violin; Lund Christiansen, piano
Recorded March 1 and May 20, 1938
HMV DB 5219 and DB 5220, two 78-rpm records
Link (FLAC files, 47.79 MB)
Link (MP3 files, 28.64 MB)

Both violinist and pianist were members of the Danish Quartet, as the labels proudly inform us, actually billing the ensemble before naming the players, even though only half of it participated: