Knudåge Riisager

Knudåge Riisager

Born in Estonia to Danish parents (his father managed a cement factory there), Knudåge Riisager (1897-1974) would emerge as the most internationally-minded of Danish composers, studying music in France with Albert Roussel and in Leipzig with Hermann Grabner. Certainly his music partakes of the neoclassicism then current in the Paris of "Les Six" and Stravinsky. He achieved fame through his ballet scores, but the work of his most likely to survive is the Trumpet Concertino, a delightfully witty piece (with unmistakable echoes of "Three Blind Mice" in the finale - is this tune known in Denmark also?) that augments the meager solo repertoire for that instrument:

Riisager: Concertino for trumpet and strings, Op. 29
George Eskdale, trumpet
Danish State Radio Orchestra conducted by Thomas Jensen
and
Riisager: Lille Ouverture, for string orchestra (1934)
Danish State Radio Orchestra conducted by Thomas Jensen
Both recorded January 27-28, 1949
Tono X-25145 and X-25146, two 78-rpm records
Link (FLAC files, 40.80 MB)
Link (MP3 files, 23.74 MB)

Also by Riisager (whose birthday, incidentally, was yesterday, March 6) I present a ten-inch LP of two sonatas - both sturdy examples of Gebrauchsmusik:

Riisager: Sonata for Violin, Cello and Piano, Op. 55a
Wandy Tworek, Johan Hye-Knudsen, Esther Vagning
and
Riisager: Sonata for Two Violins, Op. 55b
Wandy Tworek and Charles Senderovitz
Recorded July 3, 1953
London LS-785, one ten-inch LP record
Link (FLAC files, 75.04 MB)
Link (MP3 files, 50.50 MB)

Just why Riisager elected to call the first of these a Sonata rather than a Trio is not explained in Robert Simpson's otherwise excellent liner notes for this LP, but my guess is that it is because the piano plays a mostly subservient role to the strings.