Bach's "Wachet auf" Cantata (Robert Shaw)

One of the best-loved Bach cantatas, that on the Nicolai chorale "Wachet auf, ruft uns die Stimme," is presented today in a recording by that greatest of choral conductors, Robert Shaw (1916-1999).  This cantata was written for the 27th Sunday after Trinity, a Sunday that occurs infrequently, only when Easter is particularly early in the year - in fact, I don't think the next 27th Sunday after Trinity will happen until 2035.  Well, I wasn't willing to wait that long to share this recording.  Taking note of the fact that the 27th Sunday after Trinity was also, always, the last Sunday before Advent, and also of the fact that this coming Sunday is the last Sunday before Advent for 2011, I decided that this weekend would be a liturgically appropriate time to present this recording, so here it is:

Bach: Cantata No. 140, "Wachet auf, ruft uns die Stimme"
Soloists, RCA Victor Chorale and Orchestra conducted by Robert Shaw
Recorded June 25-26, 1946
RCA Victor Red Seal set DM-1162, four 10-inch 78-rpm records
Link (FLAC file, 64.47 MB)
Link (MP3 file, 32.57 MB)

The soloists are Suzanne Freil, soprano, and Paul Matthen, bass, who sing two duets, and Roy Russell, tenor, who sings the recitatives preceding these duets.  For the first of the duets Joseph Fuchs provides a violin obbligato, and for the second, the oboe obbligato is played by Robert Bloom.

Robert Shaw's Bach Magnificat

This week I present the first-ever recording of Bach's great Magnificat in D, the Virgin Mary's hymn of praise uttered while pregnant with the Christ Child (Luke 1:46-55).  This features the dean of American choral conductors, Robert Shaw (1916-1999) in one of his earliest recordings.  The chorus is the RCA Victor Chorale; the soloists are Suzanne Freil, soprano; Blanche Thebom, mezzo-soprano; Ernice Lawrence, tenor; and Paul Matthen, bass; and the orchestra is made up of New York musicians including William Vacchiano (of the New York Philharmonic), trumpet; Robert Bloom (of the NBC Symphony), oboe d'amore; and Arthur Lora (also of the NBC Symphony), flute.

Bach: Magnificat in D, BWV 243
Soloists, RCA Victor Chorale and Orchestra conducted by Robert Shaw
Recorded June 18, 1946
RCA Victor set DM-1182, five 10-inch records
Link (FLAC file, 72.59 MB)
Link (MP3 file, 35.29 MB)

It would be impossible to overestimate the influence that Robert Shaw had on American choral singing.  Toscanini famously said, after a 1945 performance of the Beethoven Ninth for which Shaw had trained the chorus, "in Robert Shaw I have at last found the maestro I have been looking for."  Shaw's influence on the musical life of my native city, Atlanta, is also incalculable.  To this day Atlanta is a city with many enthusiastic choral groups.  Shaw was music director of the Atlanta Symphony during my formative years (from 1967, when I was four, to 1988) and his choral concerts with the ASO and the ASO chorus were always big events.  In the spring of 1998 I was fortunate enough to hear one of his last performances, of the Bach B minor Mass.  I was sitting in the front row of Atlanta's Symphony Hall, and from the very start, with that big shout of "KYRIE" from the chorus I was jolted out of my seat, and remained on the edge the entire evening.  A magnificent performance in every way, the fruit of over fifty years of living with this great music.