Florent Schmitt: String Trio (Pasquier Trio)

Florent Schmitt

Best remembered today for his ballet "La Tragédie de Salome" and his choral-orchestral setting of Psalm 47, French composer Florent Schmitt (1870-1958) actually established his reputation as much with chamber music as with those two works, through his massive, hour-long Piano Quintet of 1908. He returned to chamber music towards the end of his life, writing, among other things, a string quartet, a saxophone quartet, a flute quartet, and this string trio written for, and dedicated to, the Pasquier brothers:

Florent Schmitt: String Trio in E Minor, Op. 105
The Pasquier Trio (Jean, Pierre and Étienne Pasquier)
Recorded May 21 and December 3, 1946
Pathé PDT 103 through 106, four 78-rpm records
Link (FLAC files, 81.26 MB)
Link (MP3 files, 46.96 MB)

This is a big, satisfying work in four movements, thickly scored (often, because of double-stopping, it sounds more like a sextet), and of immense technical difficulty. Perhaps this explains its comparative neglect, even among Schmitt's works. I believe it has been recorded only once since, in the early 1980s, on an obscure French label, Cybelia - a valiant attempt, but not equal to the one played by the dedicatees. The Gramophone Shop Supplement of October, 1948, reviewed this set (which sold for $10.48), calling it "music of savage power, strange harmonies, and relentless drive. One is hard-pressed to find what may be called 'beauty'..." The anonymous reviewer was certainly right about the power and drive, but there is nothing in the harmonies that would be out of place in, say, Fauré's late chamber music. For me the piece is a real find, as much so as the Loeffler violin partita that I posted last year.

Mozart: Divertimento, K. 563 (Pasquier Trio)

The Pasquier Trio

The string trio repertoire is not large, but it is rich - and made richer by the efforts of the Pasquier Trio, three brothers (Jean, violin; Pierre, viola; Étienne, cello) for whom such composers as Pierné, Roussel, Moeran and Françaix wrote string trios.  The cornerstone of this repertoire is surely Mozart's wonderful Divertimento in E-Flat, K. 563.  Who but Mozart, whose birthday we will be celebrating on January 27, could compose the greatest work ever written for the combination of violin, viola and cello, pouring the most profound of his ideas into it, and then modestly call the result a "divertimento"?  Here is the work's first recording, and the first of three the Pasquier brothers would make:

Mozart: Divertimento in E-Flat, K. 563, for string trio
The Pasquier Trio
Recorded June 26-27, 1935
Columbia Masterworks set AM-351, five 78-rpm records
Link (FLAC files, 107.13 MB)
Link (MP3 files, 66.49 MB)

This transfer is taken from a very nice early pressing of the American Columbia set, which has sustained a little wear (those early automatic changers did no favors for the spindle holes, I'm afraid), so I was surprised and pleased by how well the result sounds.