More Danish Chamber Music

Vagn Holmboe

During the Second World War, the Danish musicologist and critic Jürgen Balzer (1906-1976), acting in an advisory capacity to the Copenhagen branch of the Gramophone Company, established a recorded anthology of Danish music of all historical periods.  Under the aegis of this "Edition Balzer" some 50 works were recorded on 78-rpm records, including many small-scale gems of chamber music that could be accommodated complete on one record, as with the three examples I offer here:

Finn Høffding: Dialogues, Op, 10 (1927)
Waldemar Wolsing, oboe; P. Allin Erichsen, clarinet
Recorded c. January, 1951
HMV DB 5274, one 78-rpm record
Link (FLAC files, 50.17 MB)
Link (MP3 files, 27.43 MB)

Flemming Weis: Serenade Without Serious Intentions (1938)
Wind Quintet of 1932
Recorded Sept. 30, 1949
HMV DB 5293, one 78-rpm record
Link (FLAC file, 24.56 MB)
Link (MP3 file, 15.20 MB)

Vagn Holmboe: Serenata for flute, violin, cello and piano, Op. 18 (1940)
The Danish Quartet (Erling Bloch, violin)
Recorded c. Spring 1950
HMV DB 5297, one 78-rpm record
Link (FLAC file, 19.54 MB)
Link (MP3 file, 13.50 MB)

Of these three composers, Holmboe (1909-1996), pictured above in characteristic pose with his pipe, is by far the best known; his music, including 13 symphonies and 20 string quartets, has been disseminated fairly widely since the advent of CD, but this unpublished three-movement Serenata does not appear to have been recorded since.  Høffding (1899-1997), who was Holmboe's teacher at the Royal Danish Academy of Music, specialized in music for amateur performers, and excerpts from his "Dialogues" have been presented by several students on Youtube videos.  There are five movements, which are presented in a different order on the record than in the published score; accordingly, I present two files containing the complete work in both orderings, and you can be the judge which sequence you prefer.  For me, the real find here is the delightful piece by Weis (1898-1981), a composer about whom I can find out very little, save that he trained as an organist and has two symphonies to his credit.  This one-movement serenade for wind quintet is in several contrasting sections, by turns wistful and dance-like, beginning and ending with a polka.

Beethoven from L'Oiseau Lyre

The French music publisher, Éditions de L'Oiseau Lyre (named after the Australian lyrebird), was founded in 1932 by Louise Hanson Dyer (1884-1964) the Australian-born pianist and patron of the arts.  About 1937 the firm expanded its operations to recording, becoming well-known almost immediately for its excursions into off-the-beaten-path repertoire, especially from the Baroque and Classical eras, a reputation it still enjoys as the early-music subsidiary of Decca, which it became in the 1950's.  On 78s there were over 200 issues, and in my heyday as a 78 collector I had some three dozen of them, made by some of the finest musicians in France at the time, including violinist Henri Merckel, harpsichordist Isabelle Nef, cellist André Navarra, and a wind trio, the Trio d'Anches de Paris, which consisted of oboist Myrtile Morel and the two gentlemen who play on this record - the only L'Oiseau Lyre 78 I still possess:

Beethoven: Duo No. 3 in B-Flat Major, WoO 27, No. 3
Pierre Lefebvre, clarinet; Fernand Oubradous, bassoon
Recorded c. 1938-39
L'Oiseau Lyre OL 78, one 78-rpm record
Link (FLAC files, 25.48 MB)
Link (MP3 files, 9.55 MB)

"Is Everybody Happy?" - Ted Lewis

Here's a complete change of pace - my first upload of vintage popular music on this blog.  I hope those of you who have come to expect classical recordings from me will indulge me here, but I have loved the unique stylings of Ted Lewis, the "high-hatted tragedian of jazz," ever since discovering them about 20 years ago.  And when Ken Halperin of Collecting Record Covers very kindly sent me a copy of this set (and several other 78 sets) after having featured the Steinweiss cover on his blog, I was moved to share it here.  So here it is:

"Is Everybody Happy?"
Ted Lewis and his Band
1. Blues (My Naughty Sweetie Gives to Me)
2. Good Night
3. Some of These Days (with Sophie Tucker)
4. On the Sunny Side of the Street
5. Somebody Stole My Gal
6. Tiger Rag
7. Have You Ever Been Lonely?
8. The World Is Waiting for the Sunrise
Recorded 1926-33
Columbia Set C-69, four 10" 78-rpm records
Link (FLAC files, 72.72 MB)
Link (MP3 files, 28.95 MB)

Four of the above sides feature Ted's vocals, with a lazily spoken delivery that surely influenced the Ink Spots several years later.  Three of the sides feature his rather squawky clarinet playing.  Many people find these recordings corny, and because of that, many jazz historians tend to downplay Ted Lewis' influence as a jazz artist.  But in his heyday (the 1920s and early 30s) he was highly respected, and a number of great jazzmen came through his band, including both Dorsey brothers and Benny Goodman.

Walton: First Symphony

Sir Hamilton Harty

Today I offer the first recording of William Walton's First Symphony, by the man who commissioned it, Sir Hamilton Harty (1879-1941).  The ink was barely dry on the score when the recording was made - or at least, barely dry on the finale, for Walton had completed the first three movements, and Harty had conducted them, in December 1934, before the finale was finished!  Then, in November, 1935, the completed work was finally played by the BBC Symphony under Harty, and a mere month later, this recording was made, with the London Symphony.  It was a rare honor for a British symphony to be recorded soon after its première; even Vaughan Williams' Fourth Symphony, completed the same year, had to wait two years for its first recording:

Walton: Symphony No. 1 in B-Flat minor (1935)
London Symphony Orchestra, conducted by Sir Hamilton Harty
Recorded December 9 and 10, 1935
English Decca X 108 through 113, six 78-rpm records
Link (FLAC files, 98.94 MB)
Link (MP3 files, 43.88 MB)

The Walton Symphony is a new transfer.  Back in 2008 I offered these two acoustically recorded sets featuring the not-yet-knighted Hamilton Harty, one as conductor and one as pianist:

Bach: Suite No. 2 in B minor, BWV 1067, for flute and strings
Robert Murchie, flute, with orchestra conducted by Hamilton Harty
Recorded January 20, 1924
English Columbia L 1557 and 1558, two 78-rpm records
Link (FLAC file, 45.79 MB)
Link (MP3 file, 17.31 MB)

Brahms: Clarinet Trio in A minor, Op. 114
H. P. Draper, clarinet; W. H. Squire, cello; Hamilton Harty, piano
Recorded October 21, 1924
English Columbia L 1609 through 1611, three 78-rpm records
Link (FLAC files, 74.98 MB)
Link (MP3 files, 30.35 MB)

Both are first recordings of these works; the Bach Suite is slightly abridged (64 bars cut from the fast section of the Ouverture, and the return of the slow section omitted altogether).