Showing posts with label Stern. Show all posts
Showing posts with label Stern. Show all posts

Wednesday, February 11, 2015

Isaac Stern in Music from "Humoresque"

Cover design by Alex Steinweiss
With another Academy Awards ceremony looming (the 87th!), it seems a fitting time to share this album of music from the 1946 Warner Brothers romantic melodrama, "Humoresque." This story about an aspiring young violinist's doomed affair with a wealthy socialite, played by Joan Crawford, has long been admired by Crawford's fans as one of her finest performances on film. I can see why, but for me, the film only works because of its glorious music, played on the soundtrack by Issac Stern and Oscar Levant, who also plays the part of best friend to the on-screen violinist (played by John Garfield). My problem with the picture is that neither of the lead characters seems particularly likable; in fact Levant's character is the most sympathetic in the film, unusually for him! Nor did I care for the underlying message, which seems to be: "don't get involved with a musician; they're all crazy and will drive you to suicide if you're so unfortunate as to fall in love with one!" When I watched the movie for the first time, it felt like I was sitting through endless periods of bickering dialogue while waiting for the all-too-brief musical interludes.  I'm sure that my little review probably tells more about me than about the film, but having said that, the best part of it, for me, is right here:

"Humoresque" - Selections from the film:
Dvořák: Humoresque
Rimsky-Korsakov: Flight of the Bumblebee
Wagner: Tristan und Isolde - Fantasie (arr. Waxman)*
Sarasate: Zigeunerweisen
Bizet: Carmen - Fantasy (arr. Waxman)
Isaac Stern, violin; *Oscar Levant, piano;
Orchestra conducted by Franz Waxman
Recorded August 14, 1946 (except the Wagner)
Columbia Masterworks set MM-657, four 78-rpm records
Link (FLAC files, 87.39 MB)
Link (MP3 files, 55.99 MB)

The Wagner fantasie is the only work played uninterruptedly in the picture (as its climax, in fact), so it was dubbed from the soundtrack; the other pieces were studio recordings.

The story goes that Warner Brothers originally wanted Jascha Heifetz for the job of playing the violin on the soundtrack, but he demanded more money than Jack Warner was willing to pay, So "J.L." said "we'll get a talented kid to do it," went to San Francisco to hear Stern in a recital, and hired him on the spot. It was undoubtedly a big boost to Stern's career. He was all of 25 years old, and had just begun recording for Columbia.

Friday, August 17, 2012

Jack Benny Fiddles With the Classics

Sheer fun this week, as I present a children's album by that still much-beloved American comedian, Jack Benny (1894-1974).  Ostensibly a recording designed to introduce kids to the glories of the classical violin literature (excellently played by his friend Issac Stern), in Jack's hands it becomes a delightful story showcasing many of the facets of his on-air persona - his vanity, his bad violin playing; even his catchphrase "Well!!!" is worked in.  The record also features spoken contributions from his wife, Mary Livingstone, and the ever-dependable Mel Blanc.  Note also the delightful underscore by Billy May which accompanies the story portions, which seems to work in everything from Jack's trademark Kreutzer etude and Paderewski's Minuet in G, to "Hooray for Hollywood."  I have owned and loved this LP since my college days, when I purchased it from a local used record shop (my apologies for the nasty "cut-out" snip in the scan above, but that's how it was when I bought it!).  The album is a 1978 reissue of a 1956 release originally titled "Jack Benny Plays The Bee, Ably Assisted by Issac Stern":

"Jack Benny Fiddles With the Classics"
Jack Benny, Mary Livingstone, Mel Blanc, speakers
Issac Stern, violin, with orchestra conducted by Izler Solomon
Incidental Music composed and conducted by Billy May
Capitol Special Markets L-8108, one 12-inch LP record
Link (FLAC file, 95.93 MB)
Link (MP3 file, 46.6 MB)

That Jack Benny actually could play the violin quite well, when he wanted to, is proven by this YouTube posting of an excerpt from a 1961 concert in Carnegie Hall, where he plays the first movement of the Bach Double Concerto with Issac Stern (and Eugene Ormandy conducting):

YouTube link